{"id":15822,"date":"2021-02-19T00:13:17","date_gmt":"2021-02-18T16:13:17","guid":{"rendered":"https:\/\/nxtmag.tech\/?p=15822"},"modified":"2021-02-20T00:20:47","modified_gmt":"2021-02-19T16:20:47","slug":"wedding-creatives-an-interview-with-raymond-phang","status":"publish","type":"post","link":"https:\/\/nxtmag.tech\/my\/2021\/02\/19\/wedding-creatives-an-interview-with-raymond-phang\/","title":{"rendered":"Wedding Creatives, an interview with Raymond Phang"},"content":{"rendered":"
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NXT recently interviewed acclaimed wedding photographer Raymond Phang for his impressions on the Canon EOS R5 full-frame mirrorless camera. Note that an edited extract of this interview appeared in NXT Magazine’s February 2021 edition, and we are reproducing the full interview, with images.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

All images and video copyright Raymond Phang Photography and used with permission.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

NXT: You mention that photography was your hobby before it became your profession, when did you start taking photographs, and how did you develop your style with wedding photographs?<\/strong><\/p>\n

Raymond Phang: I started taking photographs, weddings in particular, in the year 2003. When I was in National Service, I was also very involved in the photography aspect on top of training and will take photographs for my unit\u2019s events and group photos.<\/p>\n

Looking back at the photographs taken for my first few wedding shoot, I can\u2019t help but cringe. Haha!! It started off with those cheesy photoshop effects of black and white images with selective coloured highlights. There\u2019s also a lot of images shot tilted on purpose. Slowly with more wedding shoots, I feel more connected with emotions to capture the candids moments and focused less on the photoshop effects.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

Then I met my very own special someone, who is also a little bit crazy and very funny. She\u2019s not the romantic person who can stand infront of the camera and pose for lovey dovey shots! Every time I tried to take photos of her, she\u2019ll be quick as a hummingbird to raise her hands to cover her face. Otherwise, she\u2019ll do all sorts of silly funny unglamorous actions – everything but a proper smiling face. So that was the gateway to my signature crazy and funny conceptualised pre-wedding shoots. We started thinking of funny concepts to shoot with elements of the couple\u2019s personality and stories injected so that the photos are special to them. One look at the photos, their friends and family can relate immediately and know yes, it\u2019s them.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

Your most notable pre-wedding photographs seem similar to how a commercial\/editorial shoot is conceptualised, where the picture \u2018tells a story\u2019, is it harder to speak and deal with wedding couples or marketing clients?<\/strong><\/p>\n

Our conceptualised pre-wedding shots are very niche in the market as it\u2019s a style not everyone can see themselves doing – acting out a scene and looking funny, for example. We didn\u2019t really market it out but we let couples come to us instead because those who love the idea will naturally convert themselves and come to us naturally wanting to have this style of photos taken without us having to market the ideas to them. It takes some commitment from the couples as they have to share with us a \u201cbiography\u201d of how they met, their quirks, likes and dislikes, even secret fantasies in order for us to come up with a concept suitable for them. Yes, there are many people who like our conceptualised pre-wedding photos but are often daunted to pose when asked to do such a shoot knowing the procedure, or their partners preferring to have beautiful bridal shots taken with beautiful sceneries in the background. Those who did the shoots with us are really one-of-a-kind dream makers like us who pushed for the impossible. Many of whom became very close friends of ours even until today.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

You\u2019ve been using the Canon EOS R5 since it came out, can you speak to us a bit about this?<\/strong><\/p>\n

Yes! It\u2019s really one of the best cameras from Canon, and I have no regrets waiting and sticking with Canon, and finally when this model was released, I was first in line to get it! I super love the AF tracking function which is one of my favorite features. I\u2019m not a wildlife photographer, I don\u2019t photograph birds or animals which can be unpredictable in terms of their movements, but I found that this feature is very useful even in weddings where I can lock on to the couple and get pin-sharp focused shots during the March-In and various parts of the day. You know sometimes couples can get the jitters and literally \u201crun\u201d in the Wedding March. If the march-in aisle is a short one, like in some hotels, and you didn\u2019t manage to get any shots in focus, you\u2019re in trouble because on an actual day wedding celebration, there\u2019s no repeat. The eye AF tracking is so good I can let it work on its own while I concentrate on framing my subjects.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

Have you used Canon\u2019s RF system before the EOS R5?<\/strong><\/p>\n

I\u2019ve tried the EOS R but it didn\u2019t become my staple as there were no dual card slots in the camera. It\u2019s one of my most important camera features as I use it as a safety net to record the photos simultaneously into two cards, in case my number one card fails, especially when a wedding day celebration can never be repeated or it will be extremely costly to repeat a commercial shoot.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

How do you find the EOS R5 when compared to a Canon DSLR? Do you feel the battery life is decent, considering the EVF draws power?<\/strong><\/p>\n

Comparing to a DSLR, battery life is definitely shorter but still decent. During a full-day wedding shoot, a change of battery is recommended. I\u2019ve also bought some spare original Canon batteries to standby for shoots when I have to be on-site for longer hours, especially during wedding luncheons where there\u2019s no break in between to charge those batteries. A battery grip (with additional batteries) works wonders in such a situation.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

Does the inclusion of a CFexpress card slot help you in recording 4k\/8k videos?<\/strong><\/p>\n

Definitely, its a must as it allows the EOS R5 to record 4k\/8k videos because of the sheer amount of data that\u2019s generated. It also helps to clear the buffer faster when we shoot images in bursts, especially for my commercial shoots where I shoot in RAW format and sometimes I have to shoot multiple bursts, yes the CFexpress helps.<\/p>\n

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RAYMOND PHANG PHOTOGRAPHY<\/figcaption><\/figure>\n

Speaking of 8k videos, have you experienced capturing videos in this resolution, and what\u2019s your take on capturing 8K videos?<\/strong><\/p>\n

I haven\u2019t explored 8K videos since my primary focus is photos, and we don\u2019t use video in our deliverables to clients but we did play around with the 8k videos function and those clips that we shoot and experiment with are astonishingly clear with incredible details and super sharp. It\u2019s like watching super high-resolution photos in motion. Mind-blowing!<\/p>\n

You mentioned in your video that you found eye-tracking to be excellent and in your video you had a subject moving diagonally towards the camera, which isn\u2019t an easy shot for previous generation eye-AF.<\/strong><\/p>\n

Yup, I did a shoot with the house lights on set switched off which I purposely made it quite low light to stress test the camera and there were fruit loops cereal flying around and people running! The AF tracking was excellent! I still managed to get a clean shot with pin-sharp focus! Previous generation technology wouldn\u2019t be able to deliver that, with hits and misses. Previously to do such a shoot, I will have to set up a killzone where I have to prefocus and the subject runs into the designated spot so I can shoot. Nowadays with the eye-AF, there\u2019s no need for that anymore.<\/p>\n\n

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